Collections
Each collection tells a story.
Mar en la Piel
The ocean lived up close: deep blues across canvas, clay, and ceramic. Schools of fish moving as one creature, currents keeping what the sea won't say, scales catching light. Each piece is a conversation with the water — sometimes I am the school, sometimes the mermaid. Blue can give life or lay the depths bare; this collection lives in that tide.
Tejiendo Orígenes
Weaving is a way of remembering with the hands. Each knot holds a time; each vein of clay, a fingerprint. Works seen as sculpture and remembered as ritual objects: a bridge between what we were and what now inhabits our walls.
Mundos de Color
Abstract universes in full chromatic vibration, in full motion — canvas, linen, and ceramic where pigments collide and something new is left vibrating. Chaos comes before beauty — and in these works it stays to live inside it.
Ecos del Arrecife
The reef translated into ceramic: coral, fragility, and depth. Earth and fire speaking of water — textures growing like gardens, dwellers of silence, forms that seem about to break and matter precisely for it. From the Mexican reef to the shelf. Fragility isn't weakness: it's what asks to be cared for.
Entre Luz y Sombra
Bodies and desires between light and its shadow. The desire pulsing under the skin, the absence that endures, the gleam that only appears where shadow allows it. Every body has its story — this collection tells the part left unsaid, where the light goes down and the work steps forward.
Relatos Sumergidos
Stories written underwater: ceramics with words adrift. Manuscripts in deep blue, letters the tide arranges its own way. There is always a deeper story, one untold — these pieces carry it written on their skin, though the sea decides how much can be read.
Tejidos del Recuerdo
Memories interwoven in fiber, wood, and ceramic. Pieces where thread does what remembrance does — knots itself so it won't let go. What is woven, remains; what remains, outlasts us.
Ecos del Origen
Before the name, the gesture already existed. This collection searches for that instant: the first glow in the dark, the first stroke across the white, the first woman. I paint with the colors the earth uses to remember itself — amber, ochre, obsidian — and the vessels the canvas evokes also exist in clay, shaped by hand, as in the beginning. Every origin leaves an echo; these pieces listen for it.
Antropología Fantástica
Fantastical anthropology: oil portraits of creatures dressed in human finery. The grand tradition of court portraiture — the bearing, the wardrobe, the title — handed over to the animal kingdom, against abstract grounds that shimmer like stage curtains. Each character is one of one: to live with one is to live with its secret — and to let it watch you back.
Colores
Color as protagonist: portraits and compositions where pigment leads. Its temperament, its history, the way it enters a room. In this collection I let each one speak alone, sharing the stage with no one. A color can make or break a piece — here, each one carries its own entirely.
A Ojos Cerrados
Where portraiture gives up the gaze, there are women who close their eyes to see better. Eyes closed or covered, their inner world takes the surface — schools of fish crowning their heads or crossing their skin in gold, flowers sprouting from the neck, hair turning to current. With eyes closed you don't lose the way: you find your own.